The cookie is used to store the user consent for the cookies in the category 'Other. This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category 'Necessary'. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. The image of the building with eyes is not unlike the key motifs of surreal art decades later. His best-known work is this illustrated French translation of H G Wells’s The War of the Worlds, for which only 500 copies were produced.Ĭorrêa uses sharply contrasting tones, with shadow, spotlighting and few people. Henrique Alvim Corrêa (1876–1910) was a Brazilian artist working in Belgium at the end of the 19th century, specialising in military and science fiction illustration. What effect do you think setting an invasion story in England would have had on the readers at the time? When The War of the Worlds was published, the British Empire was a powerful force in the world.Has the artist succeeded in making the Martians look scary?.You can see some more of Henrique Alvim Corrêa’s illustrations on the British Library’s website. The illustration shows a group of aliens, Martians from Mars, destroying some buildings whilst people hide. It was written in 1898, and this picture comes from the French translation of the book. This is an illustration from the famous science fiction book The War of the Worlds by H.

War of the worlds alvim correa